Get Your Vitamin D On: Anthropologie Daisy Patch Hat

If you spend any significant amount of time outside during the winter, the question of what hat to wear becomes significant and the weather forecasts are particularly important. Is there sunshine in the works? Then it's a matter of something you can wear easily with a pair of sunglasses. Wind? A lid that stays on firmly no matter what is tantamount; a floppy brim that could temporarily blind you just isn't a good idea. Even an earflap hat with ribbon ties isn't terribly practical on a blustery day - the ribbons, unless firmly looped in a tight bow, could whip against your face. Snow on its way? A hat with a firm brim is a fine idea. Lined? Even better. Bright and colorful? Double-check. The above hat, from Anthropologie, is my idea of a hat that's just cheery and practical all around, especially since flowers at this time of year in my part of the world are about as rare as prairie dogs in downtown Chicago. They're extremely uncommon. Now, I've this daydream that I'm wearing this hat on a ski slope somewhere in Colorado. While the snow's plentiful and it's cold, it's not the bone-chilling variety that you find near Lake Michigan. It's bearable. Anyhow, ski poles in hand, matching ski jacket with yellow piping, this hat escorts me down the bunny hill. It makes me look great, especially as toddlers sans ski poles whip past me easily and fast. Of course, I'm certain on this ski slope, it's not only how well you ski, but how good you look on the descent. So it's not only a competition of skill, but the hats. Which one is the silliest? The perkiest? The brightest? And of course, the stupidest. The Anthro Daisy Patch hat is in a category all its own. If you're going to get hat hair, and you will with this thing, you might as well do it wearing a mini-garden of daisies on your noggin. This hat is just cute. Nothing more, nothing less. There are no dumb flaps and pointy ends to make you the butt of someone's joke. It's just summer, an early taste.

Anyhow, I'd like to make this hat, even if it means taking a plainer than Jane knit cap from a department store and embroidering the daisies on with leftover yarns with other knitting projects. You could possibly even do it on a sewing machine with invisible thread, and stabilizer underneath. I'm not sure how much faster it would be than to do it all by hand, but you at least you do have another option. Now, is just me, but I don't understand why there isn't a black version of this hat? Why? Why?
P.S. I'm working hard on at least one hat...my Annie Modesitt Gone with the Wind hat. It's beautiful, but too big for my 22.5-inch head. I'll post pictures once I'm done. I'm at the wiring the brim stage.

A Little Halloween Knitting: Emily Fitzroy in The Bat (1926), Origins for "Batman"*

Vogue Knitting didn't exist in 1926. Nor did Knit1 or Interweave Knits. But if any one of these knitting publication had been around then, you know they would have made a beeline to interview Emily Fitzroy, who knits nearly non-stop in the Bat, the silent film that led to the Batman movies you see today. Here's they no doubt would have heard Ms. Fitzroy say (you can see her in action in the above clip.)
Reporter (R): Miss Fitzroy, you're quite the knitter. We were quite impressed that you didn't drop a stitch in any of the scenes for The Bat. How did you do it?
Fitzroy (F): How do you know I didn't drop any stitches, young lady? I know how to make my marks. I'll have you know I've been knitting nearly my entire life. I learned how to knit and purl when I was five.
R: That's quite young.
F: You mean you didn't learn how to knit at at that age? All my friends and relatives did. If our mothers and grandmothers didn't teach us, we learned in school. How will you ever get married if you can't knit?
R: I learned when I was eight. I was a late bloomer. All of my girlfriends made fun of me and poked me with their pins. Yes, I'll be an old maid already at 20, don't remind me!
F: That'll teach you. Learn to knit properly and you'll get married in no time.
R: Yes, ma'am. Tell me what pattern were you knitting? What yarn did you use?
F: A Minerva pattern for a man's golf sweater. Fingering weight yarn.
R: How did you remember the pattern? Especially in those tense scenes with the Bat!
F: Listen, young lady. I'm a professional actress. I know how to work under duress. This was nothing. I used to knit in the dark when I worked in vaudeville. I'd poke those players with my pins to get them out on the stage on time. More than half of the time they were so stone-drunk they didn't know what end was up. If the poke didn't work, I'd get a lit cigarette. That usually worked like a charm and cut through the alcohol.
R: My. I had no idea. That was before my time.
F: You can only imagine the motion-picture industry was a piece of German chocolate cake in comparison. I didn't have to rely on my knitting skills to make it through the night.
R: Did Roland West know that you knit?
F: Absolutely. He saw me working up a pair of socks on an earlier picture, and he thought knitting would be a great prop in The Bat. It became part of my character, Miss Cornelia Van Gorder. I was so good I was typecast as the knitting grandmother in nearly every role after. I hated Joan Crawford. She got all the best roles - before and after the talkies.
R: You captured your character's nervous energy and confidence. She didn't let The Bat shake her up.
F: Of course not. Miss Cornelia didn't believe in ghosts or spirits. She was ahead of her time in that respect.
R: You mean everyone else on the set was superstitious?
F: Wouldn't you be if you saw a bat, even a make-believe one, everywhere you walked? My co-stars were skittish to even open a door.
R: I see a mouse and I make for the hills. I love that last scene where you-
F: Don't say it! Don't spoil the plot for anyone who might want to see The Bat! Didn't you read what Mr. West said in the beginning of the picture? He said don't ruin it for the others, you silly reporter. Now you can quote me on that.
* I saw The Bat at the Portage Park Theater last week. Excellent! I give it four stars out of five.

What I Like Now When It Comes to Hats...

I like this shot on The Sartorialist, this hat made from sock yarn, this 1930s vintage hat pattern (from this eBay listing), this Anthropologie knit hat embellished with a tartan tie, and this pricey but lovably warm fur hat pattern (in Kelly green, of course, for me).

Done: Interweave Knits Ribbed Tank, Spring 2007 issue*

I think I started this top back in May, when springtime was a mere promise, and thoughts of frilly cotton tops, saucy skirts and particular pants filled the stale air inside my apartment. A new season with brand-new outfits that would have all the mannequins at Anthropologie swirling their little vintage heads like nobody's business. Not to mention their counterparts at Free People. They'd be even more jealous, to the point that their detachable limbs clatter to the ground, their feelings on display for all passerby to see.

I started tracking my progress in June on Ravelry, after more than a few false starts. The pattern looks so simple, deceptively so. For one thing, it's knit up in a dark brown so you can't see the details, which should have been a tip off to just how difficult this pattern would be. But I won't bother you with the details, just hit the major points, some of which can be be applied to other knitted wearable works of arts.

1. If the instructions warn you to be careful of twisting the chain, be aware that this is extremely easy to do, especially when the chain is long. I think I twisted the darn chain at least three times, and finally mastered the fibery beast with the help of one of the sales ladies at Loopy Yarns. In the future, I'll knit back and forth three rows, then get the circle of stitches going when I have something more substantial to hold onto that won't be so wiggly when it's time to get everybody (all the stitches) holding hands in a circle.

2. Be willing (yes!) to put the project aside temporarily if things aren't going well. This happened to me plenty of times. More times than I care to count stitches, which I think I did a lot of. Instead of starting other projects, I read books, magazines and newspapers. I couldn't bring myself to launch anything else, though on second thought, that's a good time to do something really easy - a pair of leggings with a basic repeat. Honestly, I feared buying some expensive yarn and starting something that would be equally difficult to finish.

3. Be creative when yarn runs out. I thought I had plenty of the Lion Brand Cotton-Ease. I didn't. It was the creative Kathy Kelly that came up with the brilliant idea of using the Ty-Dy cotton for the bodice, which is probably the best part of this top. The colors are just Dreamsicle cool. I just used one skein of the Ty-Dy for the bodice, which set me back about $15. Not bad for a great punch of color on a tank top that might have a little ho hum otherwise. On the flip side, I think a multi-color yarn looks best in a ribbing or stockinette, but it would lose its fantastic-ness in lace. I might try this combo (plain/multi) combo again - but in a much simpler pattern. It's also good way to work in a little luxury into your work if you're trying to save bucks. Think of it as the summer version of fur.

4. Don't be afraid to wear cotton in the fall. I thought this would be too hot to wear now that the temperatures have dropped, but I found this pleasantly warm, a great layer to wear over something else. I might actually wear this through the winter, even though we are not in that time of year yet. Nope, it's not here and I'm not going to think about it right now. It's still Indian summer right now.

5. Edit, edit, edit! Yes, I creatively cropped the pictures. You can't see the lace. There's a reason for that. I don't like how the fullness of this top - it makes me look like I'm expecting. I wish it were a little more fitted, and less roomy. That said, I will still probably wear it. All that time I spent working on it - ripping back, starting, ripping back yet again, but not tossing it into the corner of the living room. I didn't go to that extreme, not that there would be anything wrong with that. Some projects are meant to be pitched into dark places where dust mites cavort. I might eventually take some other pictures that show a close-up of the lace part, but it won't be anytime soon. If I do, I might do what the models do: clip the back so that the whole shebang gracefully skims the hips. Okay, I'm linking to Interweave Knits' version. Their version doesn't skirt the issue like mine does. Sigh. Time to go get a Guinness and forget.

6. Plan your next project while you're on the last lap of the Big One. It makes all the stitching and grafting go that much faster. Me? I've kind of decided that I've had it with knitting anything for the body. I need things that work up much quicker, say in a week or two, a month or so. So I'm thinking leg warmers, arm warmers, a hat, socks, anything else. Of course, these little projects are much lighter and easier to carry in a bag on my way to one adventure or another. Easier on the checkbook too. That said, there's a little part of me that wants to launch a February lady sweater or even a bolero jacket. These things can't be all that complicated, can they? Stop me!!! I have other things to do! Other molehills to climb!
* The ruby lacy top underneath? I sewed that, using the Santa Monica Tee pattern.

Style Stategy by Nina Garcia: A Book Review

This is Mary Beth's assistant Ashley here. She just wanted me to say, "Hi!" No, really she wanted to say a whole more. Actually the assignment is to write a book review of The Style Strategy by Nina Garcia from the perspective of a hat lover. I said, "NO problem! I LOVE hats." And I really do talk in all caps sometimes, particularly when I'm texting my friends. It's a good way to get a point across.

Anyhow, Nina Garcia's book. From the viewpoint of someone who's really crazy about hats, I'd have to say this book was a disappointment. I mean I love Nina in "Project Runway" but I honestly think Ruben Toledo's illustrations were far more interesting than anything had to say about dressing up or down during these tough times. Besides, I'd like to see some photographs, so I found "Style Strategy" a little boring in the way. I thought it was interesting that Ruben had a lot of sketches with women wearing hats, but Nina said hardly a word about them. She does mention Prince's "Raspberry Beret" as a source of inspiration - "This song makes me want to wear one!" That's about all she says about hats then. You would think she would talk about them more. I mean, hats are fairly cheap, compared to a pair of nice jeans or cool boots. It's also easier to make a hat than to sew a pair of good jeans. Besides, hats are SO much fun to wear. Especially to a bar. If you want a guy to buy you a drink. If you are poor, wouldn't it be better just to wear a fedora and go window shopping, then sit inside and cry all day that you don't have a job? I think so. Your day would be much more interesting if you wore a hat. You might even get a job offer. Really, it could happen. It's more much likely to happen than if you're inside your bedroom bawling your eyes out. So I'd think a great hat, even if just one, would be the essential accessory during this bad economy. Every recessionista should have one, don't you think?

Ok, anyhow, Nina has lists of all these essential clothes you should have. Mary Beth said to come up with five must-have hats. That's easy.
1. A Black beret. You cannot go wrong with a black beret. It goes with everything, and it's pretty cheap. I can usually find one at the thrift store, but I bet you could find one at the Gap or Old Navy. I wear a beret when my hair's a mess or it's cold outside.
2. A red fedora. I know Mary Beth doesn't like Red Hats, it has something to do with the Red Hat Society. But it doesn't bother me. My mom and grandmother are in the Red Hat Society. It makes them happy, so who cares? They both come back kind of tipsy from those events, but they're smiling for the rest of the day. Anyhow, a red wool felt fedora would be so awesome. I could see Lady Gaga wearing one. I don't have one myself, but I think about making one in the next millinery class I take.
3. A leopard print hat, any style. I think the leopard print shirts and scarves are kind of old-ladyish, but I do like that kind of print in a hat. It's kind of naughty-looking, and nobody expects you to wear spots of any kind on your head! I'd like a cute little pillbox, maybe with some netting, perhaps with a hole cut out for a cigarette (JUST KIDDING!). A fedora would be foxy too. You know all the boys would like it.
4. A fur hat with ears or floppy sides. I love this kind of hat especially when it's freezing outside. It looks cute, keeps you warm and goes with just about everything, like a parka or one of those long coats.
5. A cloche. This is pretty, something you could wear to church, if you go or save for Christmas or any other important holiday. It looks very flapper girl, and goes with any kind of dress. It would be also very easy to crochet, knit or sew. I have one, I think, at the back of my closet. It's kind of dusty probably, which goes to show you how often I wear it. But I do think it's a great versatile hat.
That's all for now. I've got to go work on a Powerpoint presentation for class. Mary Beth will back in a few days. Ciao for now!

Mad Men Fans Take Heart : Crochet Today, Nov/December issue

It's a little too early to think about my birthday month (November), but I adore this cover. It looks like some of the vintage Good Housekeeping or Lady's Home Journal magazines from the 1950s that you see on eBay. So green and white dresses with a bow are in! The 70s-looking Christmas tree skirt - hurrah! I'm not nearly thrilled with the content but the capelet/cardi is up to my speed. It would match my winter jacket, also white. I'll blend in with the snow, which we're expecting a lot of this year. Anyhow, this is just a slapdash intro to my other topic: hats. Here's a story from the SF Gate that gives me hope for the future...A local (for me anyway) story on a fun, hatty bash...One great 1932 crochet cap and tie pattern, and instructions for a funky 1960s interpretation of the tyrolean hat. Enjoy!

Hat by Eia in Aisle 5: Clandestino event TONIGHT

Now Eia, my former millinery instructor, always did say you should wear your hat to go grocery shopping. Now she's taking her own advice and showing her own creations in a local grocer just for one night. Now, tell me, if you saw a woman with the above hat on while you were picking up a box of Cheerios, wouldn't that put a smile on your face? Even just for the moment? I'd be grinning ear to ear all the way out to the parking lot even the cashier was snotty and rude and the person in front of me in line appeared to be buying out the entire contents of aisle 2. Perhaps that's why Eia recommends wearing a hat when you're stocking up for the fridge. You need a little levity when you must traipse across a store that's longer than most football fields, these days anyways.

Back to tonight's event. In the true nature of Clandestino events, the web site only mentions vaguely where this trunk show will take place. It'll be at a Lincoln Park (that's in Chicago for you out-of-towners) grocery store. I'm hoping, guessing, that'll it be at the new Whole Foods store off of the main drag known as North Avenue. Lots of traffic, and potential for great publicity for Eia and her incredible (and apparently edible) hats. I can't make it, but maybe you have a window of time to go. Sounds like good eating, lots fo laughter and a great time. And who knows what could happen in Aisle 11? Only the Shadow knows!!! Here's the link to Fashion and Feast.